Friday, 7 August 2015

Everything you wanted to know about Kay Mère and _Trainwreck_ but..

..were afraid to ask.

Babs correctly predicts feminists won't like the ending of Amy Schumer's movie.


Feminists loathe redemption and respectability, which are TRULY the only things that give purpose to the *trampy* protagonist's life, according to Kay.

_Trainwreck_ is an exemplary morality fairy tale, an inspiration to whores and bad grrls, in her R.E.A.L.women view.

Thank gawd for professional slut-shamer Kay, and all the women who share her sour, tight-sphinctered and pearl-clutching ideological constructs.

Common, every-day patriarchy as well as its bastions: the Vatican Taliban, Hasidic extremism, Saudi Wahhabism to name but a few, would crumble without its handmaidens.

The *happily ever after* is such a predictable Hollywood cliché ending — even when hipsters produce such movies — that I saw it coming a mile away.

What offended me about _Trainwreck_ was its crass, opportunistic and shallow execution. The script is a contrived series of sketches that might have been dynamite on their own, were they sharpened up and NOT riddled with hackneyed plot devices.

The only thing that distinguishes _Trainwreck_ from any bland TV sitcom episode?  The brilliant performances of Tilda Swinton, LeBron James and John Cena.

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